Reading comp PrepTest 117 · Section 1 · Question 24

Passage

Questions 21-27  .        The proponents of the Modern Movement in  . architecture considered that, compared with the  . historical Remaining source text redacted.
Passage walkthrough
Passage Summary

Topic: Humanities


Paragraph 1

  • Paragraph note
    • Modern Movement; Author points out irony
  • Views, minor Meta-Structures, and the author's attitude
    • Modern Movement (MM) proponent - Better than what it replaced at reflecting 20th c technology and building methods
    • Author - Irony - MM at odds with how buildings are built

Paragraph 2

  • Paragraph note
    • Author previews opinion; Background on MM
  • Views, minor Meta-Structures, and the author's attitude
    • Adherence to ideology → Decline of movement
    • Background - Motive - Not just interpret client needs, but teach/persuade them MM was better
    • Examples - Wagner, Wright
    • Critics - Ignored non-Modern aspects of these inventors

Paragraph 3

  • Paragraph note
    • How MM declined
  • Views, minor Meta-Structures, and the author's attitude
    • Reason 1 - MMs were “ignorant of building methods”
    • Reason 2 - MMs didn’t admit they cared just about aesthetics
    • Reason 3 - Building industry moved to subcontractors, so more variation and MM methods couldn’t account for (e.g., expose structural elements = too expensive)

Paragraph 4

  • Paragraph note
    • Next movement; MM’s decline
  • Views, minor Meta-Structures, and the author's attitude
    • Postmodernists - Exposing structural elements unnecessarily limiting
    • Author - MM declined because of failure to abandoned ideals

Main Point: Proponents of the Modern Movement caused the decline of their own movement by failing to abandon their ideals in the face of practical building considerations.

Key Lines?

Lines 1-6 - New approach and proponents compare it to old approach

Lines 6-9 - Author’s view on movement (Irony)

Lines 10-12 - More on the Author’s (negative) view

Lines 31-40 - Author’s reasons for MM’s decline

Lines 58-60 - Another movement’s view of MM

Lines 60-63 - Author’s summary of viewpoint

Meta-Structure?

Old Approach/New Approach - In many Humanities passages that don’t feature a focus on innovation, there’s a comparison of a new style to an old one, or a discussion of the influences on a new style. That focus is present here, with the Author presenting Modernists and the Modern Movement as believing that they “more accurately reflected” modern sensibilities than the historical styles they replaced (Lines 1-6), and the passage goes on to flesh the Author’s thoughts on this movement out. When this Old Approach/New Approach Meta-Structure defines a passage, the Author’s opinion of the new approach generally serves as the main point. Interestingly, while these passages usually take a positive stance on the new approach, the Author here takes a negative one! She says it’s “ironic” that their focus on building methods didn’t translate to how things are built (Lines 6-9), and that their “tenacious adherence” to their ideology led to their downfall (Lines 10-12). She ends by stating that their unwillingness to “abandon their ideals” led to the decline of their movement (Lines 60-63). So while she doesn’t say much about the aesthetic or ideological value of the movement, she has a lot of criticisms as to how they went about making buildings, which should be reflected in any main point.

Examples - The Author ends Paragraph 2 with a couple examples of Modern architects who were praised by the Modern Movement (Lines 25-30). Interestingly, these architects serve a different purpose in the Author’s argument - she shows that the attention paid to them ignored parts of their work that didn’t line up with Modern ideology (Lines 28-30). While normally we’d expect at most a single question about examples that take up such little space in the passage, the fact that the Author uses these examples as a part of an argument against the modernist critics might result in a question or two being asked on it.

List - Paragraph 3 features a list of reasons that the Author believes contributed to the decline of the Modern Movement (two in the opening sentence, one after “Moreover” that’s more fleshed out). Since these reasons constitute the entire paragraph, there’s a good chance that there will be at least one question asked about them.

Last Thoughts?

The passage’s structure is a little slapdash. For example, Paragraph 2 starts out with a discussion of the movement’s decline, but it then goes into a long discussion of some history and motives in the MM. It’s not until Paragraph 3 that the Author circles back and justifies her stance that the ideological focus of Modernists led to the MM’s decline. We’ll need to keep that in mind as we address the questions, as there might be some where the support for the correct answer shows up in an unexpected place.

Question prompt

It can be inferred Remaining source text redacted.
Why the credited answer is right

Credited answer: E

The notes below walk through why it fits the stem and how to eliminate the rest.

Question Type

Humanities

Strategy Overview

Review the section on exposed structural materials, identifying the Author’s opinion on it

Answer Anticipation

Looking at our notes, the discussion of the exposure of structural elements showed up in Paragraph 3, where the Author brought up several reasons for the decline of the Modern Movement. Specifically, it was an example of the third reason for the decline - the failure to take into account developments in how buildings were built.Starting in Line 48, the Author describes the ideal and says that doing so while still producing a visually acceptable interior required an “unrealistically high level of craftsmanship” (Lines 50-53). It was impractical (“if it could be achieved at all;” Line 54) or expensive (Line 55).So, in short, the Author believes that it was an example of the MM’s focus on their ideology over practicality, and something that led to their downfall. Let’s find an answer reflecting that.

Answer choices

  1. A
    The repudiation of the Remaining source text redacted.
    Why choice A is not credited

    (A) (Lines 10-12; Lines 60-63) This answer doesn’t align with the Author’s overall view that strict adherence to ideology caused the downfall of the Modern Movement. And the section discussing the exposure of structural materials doesn’t mention that some architects in the MM broke with it, so this answer is incorrect.

  2. B
    The ideal was rarely Remaining source text redacted.
    Why choice B is not credited

    (B) (Lines 53-57) The Author says that pulling off this ideal was impractical and prohibitively expensive, so the failure to achieve it is related to practicality and money, not popular appeal.

  3. C
    The ideal was unrealistic Remaining source text redacted.
    Why choice C is not credited

    (C) (Lines 53-57) Similar to (B), the Author doesn’t list an unwillingness on the part of builders to attempt it as a reason for it to rarely be achieved, so this answer is out of scope.

  4. D
    The ideal originated in Remaining source text redacted.
    Why choice D is not credited

    (D) (Lines 25-30) Wagner and Wright are examples brought up in Paragraph 2, and they’re not connected to the MM’s ideal of exposing structural materials, let alone identified as the originators of that ideal.

  5. E
    The ideal arose from Remaining source text redacted.
    Why choice E matches the stem

    (E) (Lines 6-9, Lines 34-33; Lines 50-57) First, this answer aligns with the Author’s overall viewpoint that the Modern Movement’s decline was at least in part caused by their unwillingness to give up their ideals for practical considerations related to “the way buildings were really built,” so it should stand out as the strongest answer. She also says that the Modernists’ chief concern was aesthetic earlier in this paragraph - another big-picture reason to pick this answer. Specifically, in the section discussing exposed structural materials, the Author says that achieving an aesthetically pleasing complete structure while also exposing these elements “called for an unrealistically high level of craftsmanship” - in other words, by designing buildings in this way, they were prioritizing aesthetics over practicality, as this answer states. This answer is therefore correct.

What this tests

Question analytics

Based on historical answer selection rates for this question.

Answer choice distribution

  1. A 4%
  2. B 4%
  3. C 9%
  4. D 3%
  5. E Credited 81%

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