Reading comp PrepTest 117 · Section 1 · Question 22
Passage
Passage walkthrough
Topic: Humanities
Paragraph 1
- Paragraph note
- Modern Movement; Author points out irony
- Views, minor Meta-Structures, and the author's attitude
- Modern Movement (MM) proponent - Better than what it replaced at reflecting 20th c technology and building methods
- Author - Irony - MM at odds with how buildings are built
Paragraph 2
- Paragraph note
- Author previews opinion; Background on MM
- Views, minor Meta-Structures, and the author's attitude
- Adherence to ideology → Decline of movement
- Background - Motive - Not just interpret client needs, but teach/persuade them MM was better
- Examples - Wagner, Wright
- Critics - Ignored non-Modern aspects of these inventors
Paragraph 3
- Paragraph note
- How MM declined
- Views, minor Meta-Structures, and the author's attitude
- Reason 1 - MMs were “ignorant of building methods”
- Reason 2 - MMs didn’t admit they cared just about aesthetics
- Reason 3 - Building industry moved to subcontractors, so more variation and MM methods couldn’t account for (e.g., expose structural elements = too expensive)
Paragraph 4
- Paragraph note
- Next movement; MM’s decline
- Views, minor Meta-Structures, and the author's attitude
- Postmodernists - Exposing structural elements unnecessarily limiting
- Author - MM declined because of failure to abandoned ideals
Main Point: Proponents of the Modern Movement caused the decline of their own movement by failing to abandon their ideals in the face of practical building considerations.
Key Lines?Lines 1-6 - New approach and proponents compare it to old approach
Lines 6-9 - Author’s view on movement (Irony)
Lines 10-12 - More on the Author’s (negative) view
Lines 31-40 - Author’s reasons for MM’s decline
Lines 58-60 - Another movement’s view of MM
Lines 60-63 - Author’s summary of viewpoint
Meta-Structure?Old Approach/New Approach - In many Humanities passages that don’t feature a focus on innovation, there’s a comparison of a new style to an old one, or a discussion of the influences on a new style. That focus is present here, with the Author presenting Modernists and the Modern Movement as believing that they “more accurately reflected” modern sensibilities than the historical styles they replaced (Lines 1-6), and the passage goes on to flesh the Author’s thoughts on this movement out. When this Old Approach/New Approach Meta-Structure defines a passage, the Author’s opinion of the new approach generally serves as the main point. Interestingly, while these passages usually take a positive stance on the new approach, the Author here takes a negative one! She says it’s “ironic” that their focus on building methods didn’t translate to how things are built (Lines 6-9), and that their “tenacious adherence” to their ideology led to their downfall (Lines 10-12). She ends by stating that their unwillingness to “abandon their ideals” led to the decline of their movement (Lines 60-63). So while she doesn’t say much about the aesthetic or ideological value of the movement, she has a lot of criticisms as to how they went about making buildings, which should be reflected in any main point.
Examples - The Author ends Paragraph 2 with a couple examples of Modern architects who were praised by the Modern Movement (Lines 25-30). Interestingly, these architects serve a different purpose in the Author’s argument - she shows that the attention paid to them ignored parts of their work that didn’t line up with Modern ideology (Lines 28-30). While normally we’d expect at most a single question about examples that take up such little space in the passage, the fact that the Author uses these examples as a part of an argument against the modernist critics might result in a question or two being asked on it.
List - Paragraph 3 features a list of reasons that the Author believes contributed to the decline of the Modern Movement (two in the opening sentence, one after “Moreover” that’s more fleshed out). Since these reasons constitute the entire paragraph, there’s a good chance that there will be at least one question asked about them.
Last Thoughts?The passage’s structure is a little slapdash. For example, Paragraph 2 starts out with a discussion of the movement’s decline, but it then goes into a long discussion of some history and motives in the MM. It’s not until Paragraph 3 that the Author circles back and justifies her stance that the ideological focus of Modernists led to the MM’s decline. We’ll need to keep that in mind as we address the questions, as there might be some where the support for the correct answer shows up in an unexpected place.
Question prompt
Why the credited answer is right
Credited answer: A
The notes below walk through why it fits the stem and how to eliminate the rest.
Question Type
Strategy Overview
Answer Anticipation
Answer choices
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AClothing produced on an Remaining source text redacted.
Why choice A matches the stem
(A) (Lines 46-47) ...And this answer immediately requires us to do some extra work. While a shift from a single garment maker to an assembly line certainly lines up with a shift from few tradespeople putting an entire building together to the subcontractor process of modern buildings, this answer has the additional element of the precision involved. Is there anything in the passage to suggest that the buildings built by the new method are less precise? Yes - the passage states that modern architects have to account for “the allowable degree of inaccuracy of the different trades” making up the subcontractors. So this answer reflects the overall relationship between the old and new approach, and the relevant detail here matches up with an element in the passage. This answer is therefore correct.
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BHandwoven fabric is more Remaining source text redacted.
Why choice B is not credited
(B) First, the relationship between handweaving and machine sewing isn’t the same as that between individuals doing work and subcontractor teams doing it - a single person could use the sewing machine to make a complete garment. Second, the Author doesn’t say that the new process results in more beautiful architecture. So there are two independent reasons to eliminate this answer.
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CLenses ground on a Remaining source text redacted.
Why choice C is not credited
(C) Similar to (B), there’s no indication that lenses ground by a machine are worked on by multiple “subcontractors,” and she also doesn’t argue that buildings made using the new method are “less useful” than buildings made by the old one.
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DForm letters produced by Remaining source text redacted.
Why choice D is not credited
(D) Yet another answer that has a “new” method that can be done by a single person - a form letter could be written and adapted by one person, not by a team that’s each responsible for an individual section.
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EFurniture produced in a Remaining source text redacted.
Why choice E is not credited
(E) This answer arguably lines up with the differences in method of construction that’s presented in the passage - a factory presumably involves multiple people working to make things produced there. However, this answer states that the new, factory-produced furniture is “less fashionable” than handcrafted furniture, but no similar comparison is made between buildings made with subcontractors and buildings made by a relatively small number of tradespeople who worked together.
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Discussion
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Help! 1 reply
Started by yckim2180
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Answers C & E 2 replies
Started by Julie-V
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Answer 2 replies
Started by Ceci