Reading comp PrepTest 106 · Section 4 · Question 24

Passage

Questions 22-26  .        As one of the most pervasive and influential  . popular arts, the movies feed into and Remaining source text redacted.
Passage walkthrough
Passage Summary

Topic: Humanities


Paragraph 1

  • Paragraph note
    • The movie industry has developed a mutually beneficial marketing relationship with the other mass media.
  • Views, minor Meta-Structures, and the author's attitude
    • Origins: Hollywood star system, in which actors were under contract to a movie studio, was a result of the public’s interest in actors’ private lives (second sentence)
      • Public relations agents informed press about stars’ lives, and press promoted movies on the basis of this information (third sentence)
      • Press benefited financially from this, because the public went to the movies based on their publicity and found that movies were created by talented storytellers (fourth sentence)
    • Author’s attitude: “pervasive and influential” (first sentence); “feed into and off of” (first sentence); “whetting the public’s appetite” (third sentence); “additional virtue” (third sentence); “art of storytelling” (third sentence); “cultural cross-fertilization” (fourth sentence)

Paragraph 2

  • Paragraph note
    • Movies and mass media are interdependent and sustain themselves with the notion that there are always movies worth promoting.
  • Views, minor Meta-Structures, and the author's attitude
    • Other media do most of movie promotion for the studios (third sentence)
      • Many media outlets are already promoting movies, so there is a ready-made audience already interested (fourth sentence)
      • TV, radio, magazines, product ads (third sentence)
    • Author’s attitude: “mushroomed” (first sentence), “intricately interdependent” (first sentence), “sustains itself” (second sentence); “vast portion” (third sentence); “good business” (fourth sentence)

Paragraph 3

  • Paragraph note
    • Problem: mass media promotion model has made movies less emotionally satisfying
  • Views, minor Meta-Structures, and the author's attitude
    • Need to generate publicity has affected creation of movies (first sentence)
      • Studio execs choose subject matter and actors instead of writers and directors (second sentence)
    • Movies are made with an eye toward publicity rather than good art (fourth sentence)
    • This trend is likely to continue because it makes more money than producing emotionally engaging movies (fifth sentence)
    • Author’s attitude: “new danger” (fourth sentence), “audience’s curiosity” (fourth sentence), “engaging experience” (fourth sentence), “on the strength of media publicity” (fifth sentence), “word of mouth” (fifth sentence), “intimate relationship” (fifth sentence), “lost” (fifth sentence), “affect audiences emotionally” (sixth sentence), “increasingly rare” (sixth sentence)

Main Point: The system by which the mass media promote movies has created incentives for the film industry to make films that are easy to publicize rather than emotionally engaging.

Key Lines?

Paragraph 1, Sentence 4 (P1 S4) - Mass media benefits by promoting movies

P2 S2 - Mass media constantly promoting something

P3 S1 - System of mass media promotion has affected creation of films

P3 S4 - Incentives to produce easily-promotable films rather than good ones

P3 S6 - Films that affect audiences emotionally becoming rare

Meta-Structure?

Importance of Subject: This passage describes why the system by which the mass media came to promote movies is important. The author describes the origins of this system in the 1920s and traces the ways in which the system has grown and shaped the film industry. According to the author, the dependence of the film industry on the mass media promotion machine, and movie studios’ focus on turning the largest profit possible, have led them to focus on creating films that generate a large publicity buzz rather than films that engage emotionally with their audience. The author sees this as a problem and implies that the quality of films has suffered over the years. Moreover, the author says, this trend will likely continue into the future..

The minor Meta-Structure of this passage is Causality. It is the monetary incentive to create films that are easily-promotable that drives the film industry, the author argues, rather than the artistic motive to create films that connect emotionally with their audiences. Back in the 1920s, when the mass media just happened to begin promoting films because people were interested in the lives of movie stars, studios were still interested in creating films that could be considered vital pieces of popular art, but now, when the film industry and the mass media are so interdependent, studios focus on creating films that get viewers into seats just based on the publicity rather than on the content of the film.

Last Thoughts?

This passage is rather hard to classify, because the author clearly points out a problem, but they don’t offer any solutions. The passage traces how the problem of the film industry’s dependence on the mass media arose, and how that problem leads to lower-quality movies, but it does not offer any ways of fixing the issue. This means it can’t really be classified as a Problem/Solution passage. It is simply an explanatory passage where the author has a definite viewpoint that they support using evidence.

Question prompt

The phrase "cultural cross–fertilization" Remaining source text redacted.
Why the credited answer is right

Credited answer: D

The notes below walk through why it fits the stem and how to eliminate the rest.

Question Type

Humanities

Strategy Overview

Review the purpose of the paragraph in which the expression is found, including the expression in question, then use the purpose and the immediate context to define the expression's meaning.

Answer Anticipation

This question asks what the author meant when they used the phrase “cultural cross-fertilization.” This phrase appeared in the first paragraph, so we should start by defining the role of that paragraph, as that can sometimes provide contextual clues about the author's meaning. Our note for the first paragraph is, “The movie industry has developed a mutually beneficial marketing relationship with the other mass media.” So, the first paragraph talked about how movie promotion helped the mass media gain readers and helped the movie studios gain publicity and generate hype for their upcoming films.Now, turning our attention to the expression in question, “cross-fertilization” refers to this very process, the mutually beneficial relationship that sprang up between movie studios looking to get people into theaters and mass media looking to feed off of the public’s interest in film stars (P1 S4). Let’s look for these ideas among the answer choices.

Answer choices

  1. A
    competition among different segments Remaining source text redacted.
    Why choice A is not credited

    (A) Does this answer choice characterize “cultural cross-fertilization” in terms of a mutually beneficial relationship between film studios and mass media?

    No. In fact, this answer choice mentions competition. The character of this passage, and the author’s characterization of the relationship between film studios and all mass media outlets is one of collaboration. Also, the phrase “cross-fertilization” implies a symbiotic relationship rather than an adversarial one. So this is not the right answer choice.

  2. B
    the interrelationship of Hollywood Remaining source text redacted.
    Why choice B is not credited

    (B) Does this answer choice characterize “cultural cross-fertilization” in terms of a mutually beneficial relationship between film studios and mass media?

    No. This answer choice mentions “interrelationship,” which is accurate as far as it goes in describing the relationship between the movie industry and other mass media, but it says that Hollywood movies are related to “other types of popular art.” Nowhere does the passage characterize the mass media (i.e. TV, radio, magazine articles, and product advertisements, as enumerated in P2 S3) as types of popular art. Only the movies are characterized as “popular art” (P1 S1). So this is not the right answer choice.

  3. C
    Hollywood film studios' discovery Remaining source text redacted.
    Why choice C is not credited

    (C) Does this answer choice characterize “cultural cross-fertilization” in terms of a mutually beneficial relationship between film studios and mass media?

    No. Our anticipation of the right answer is a mutually beneficial relationship rather than the one-sided relationship described by this answer choice. Indeed, in the sentence after the one referred to in the question stem, the author talks about an “intricately interdependent mass-media entertainment industry” rather than a relationship in which all the benefits are enjoyed by only one side (P2 S1).

    This is not the right answer choice.

  4. D
    the press's mutually beneficial Remaining source text redacted.
    Why choice D matches the stem

    (D) Does this answer choice characterize “cultural cross-fertilization” in terms of a mutually beneficial relationship between film studios and mass media?

    Yes. This answer choice matches our anticipation exactly. As media outlets publicize movies, Hollywood film studios gain publicity for their latest films and the mass media outlets gain readers and viewers interested in movie stars and the film industry generally.

  5. E
    interactions between public relations Remaining source text redacted.
    Why choice E is not credited

    (E) Does this answer choice characterize “cultural cross-fertilization” in terms of a mutually beneficial relationship between film studios and mass media?

    No. The passage mentions public relations agents only once, in connection with the origins of the mass media film promotion machine in the ‘20s (P1 S3). PR agents do still interact with the press in connection with movie promotion, but it was not to this specific kind of interaction that the phrase “cross-fertilization” was referring. After all, PR agents don’t act exclusively for movie studios and stars; they act for many other entities and people. The reference in the question stem is to P1 S4, which is referring specifically to the interaction between Hollywood movie studios generally and the mass media.

What this tests

Question analytics

Based on historical answer selection rates for this question.

Answer choice distribution

  1. A 6%
  2. B 3%
  3. C 7%
  4. D Credited 76%
  5. E 8%

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Discussion

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