Reading comp PrepTest 150 · Section 1 · Question 17

Passage

Questions 13-19  . Passage A  .       In a 1978 lecture titled "The Detective Story,"  . Jorge Luis Borges observes that, Remaining source text redacted.
Passage walkthrough
Passage Summary

Topic: Humanities


Passage A

Paragraph 1

  • Paragraph note
    • Borges's "special type of reader" in detective fiction
  • Views, minor Meta-Structures, points of intersection, and the author's attitude
    • Definition of the "special type of reader":
      • Confronts literature with suspicions, reads any piece of literature like a detective novel (second sentence)
    • Author's attitude: "insight into the general nature of literature" (last sentence)

Paragraph 2

  • Paragraph note
    • Borges: The way books are read determines a book's genre
  • Views, minor Meta-Structures, points of intersection, and the author's attitude
    • Comparisons, according to Borges:
      • The reader's participation in the "aesthetic event" of literature is not external to the literature but instead central to it (second sentence)
      • Readers read books of the same genre in the same way (last sentence)
      • Genre is determined by how readers approach the literary work rather than the work's formal elements (last sentence)

Passage B

Paragraph 1

  • Paragraph note
    • Author: Classifying genres based on the works' themes is difficult, so a better classification system is based on "reading protocols"
  • Views, minor Meta-Structures, points of intersection, and the author's attitude
    • Comparison, according to the author:
      • Classifying genres based on thematic similarities leads to so many "borderline cases," so a more fruitful way to define genres is based on "reading protocols" (first through third sentences)
    • Definition of "reading protocols":
      • The way we read, respond to sentences, and make sense of the text (third sentence)
    • Point of intersection with passage A:
      • The discussion of "reading protocols" recalls passage A's discussion of detective novels' "special kind of reader," the description of the "aesthetic event" between reader and text, and the passage's conclusion
    • Author's attitude: "taxonomic difficulties of such an approach are notorious" (first sentence); "arises so often" (second sentence); "fails to demarcate genres entirely" (second sentence); "more fruitful" (third sentence); "particularly rich" (last sentence)

Paragraph 2

  • Paragraph note
    • Author: Need to determine how literary works promote reading protocols; examples of reading protocols
  • Views, minor Meta-Structures, points of intersection, and the author's attitude
    • Examples of reading protocols, according to the author:
      • When reading poetry, we pay more attention to the sound of words (second sentence)
      • When reading science fiction, we pay special attention to the differences between our world and the "world of the story" (fourth and last sentences)
    • Author's attitude: "Our major critical effort must therefore be" (first sentence); "particular attention" (last sentence)

Main Points?

Passage A: Borges argues that the detective novel highlights how a literary work's genre is determined by how readers approach the work, not by the work's formal characteristics.

Passage B: It's better to classify literary genres based on the "reading protocols" the genre promotes, so critics should explore how genres create and encourage these protocols.

Key Lines?

Passage A:

Paragraph 2, Sentence 3 (P2, S3) - Author's conclusion

Passage B:

P1, S3 - Author's subsidiary conclusion

P2, S1 - Author's main conclusion

Meta-Structure? Relationship Between Passages?

Relationship - Similar Viewpoints: The authors of these two passages have very similar views. The authors share the belief that literary genres are primarily defined by how readers interact with the literary works. The author of passage A, parroting Borges, refers to this interaction as an "aesthetic event" that the reader creates when engaging with literature (PA, P2, S1). On the other hand, passage B's author refers to the interaction between reader and text as "reading protocols." Still, both authors believe that readers will interact with different genres' works in different ways. Passage A provides an example of the suspicion a detective-story reader will bring to the text (PA, P1, S2), while passage B provides examples of how poetry and science-fiction readers will confront texts in those genres (PB, P2, S2-5). Because these authors' views are very similar, we should expect several questions that ask us to identify similarities between the passages and the authors' beliefs.

Last Thoughts?

The questions on comparative passages frequently ask about the authors' positions, so it's critical that we have a firm understanding of each author's beliefs. It's not difficult to discern the opinions of passage B's author. However, many test-takers have trouble unpacking whether passage A's author expresses any beliefs. After all, the argument in passage A is mostly attributed to Borges.

However, a few clues help us determine that the author of passage A agrees with Borges. First, the author expresses a little attitude at the end of the first paragraph. The author says Borges's interest in the detective novel "draws our attention to an insight into the general nature of literature" (PA, P1, S3). By characterizing Borges's claims with a positive term like "insight," the author suggests that they agree with Borges's argument. When the author elaborates on this "insight into the general nature of literature" in the second paragraph, we can infer that the author agrees with these claims. Moreover, even if the author mostly attributes claims made in the second paragraph to Borges, the author drops this attribution in the last sentence: "Thus, what unites works belonging to the same genre is the way those works are read, rather than, say, a set of formal elements found within the works" (PA, P2, S3). By not crediting Borges in this sentence, the author subtly lets us know that they agree with this conclusion.

Question prompt

The author of passage Remaining source text redacted.
Why the credited answer is right

Credited answer: A

The notes below walk through why it fits the stem and how to eliminate the rest.

Question Type

Humanities

Strategy Overview

Review the main point of passage B, and use notes or highlighted/underlined text in the passage to recall passage B's author's attitude, and find the answer that best reflects your understanding of the main point/author's attitude

Answer Anticipation

This question asks us about the author of passage B's view, but doesn't provide any insight into the topic of the correct answer or where the supporting information might show up in the passage. This means the correct answer is likely to relate back to the author's main point. As such, we'll need to rely on our big-picture understanding of the passage to answer this question. We should start by reminding ourselves of passage B's main point (either by reviewing what we said after reading the passage or by rereading our answer to the main point question). We can also review any notes about passage B's author's attitude or any text we highlighted because it expressed that author's opinion. After doing that, we can head to the answer choices, tabling those that don't line up with the main point. For those answer choices that conform to the author's main point, we'll use our notes and the passage to see if it's correct.

Answer choices

  1. A
    Fictional works that were Remaining source text redacted.
    Why choice A matches the stem

    (A) Does this seem consistent with passage B's author's main point or what you remember reading about the author's opinions?

    This is consistent with the author's main point. The author of passage B argued that it's better to classify literary genres based on the "reading protocols" the genre promotes. It makes sense, then, that a fictional work that does not promote a "reading protocol of a particular genre" could be a "borderline case" of that genre. Moreover, this answer choice uses weak, easy-to-support language ("sometimes") that we prefer for this type of question.

    For these reasons, we should check the passage to confirm that (A) is supported. Upon review, we'll see that the author brings up "borderline cases" as a problem that occurs when we try to define a literary work's genre by its themes (PB, P1, S1). However, the author also says that "borderline cases" in genres are prevalent (PB, P1, S2). The author then claims that the "texts most central to a genre" are the texts "clearly written to exploit a particular [reading] protocol" (PB, P1, S5). So, it stands to reason that a fictional work that didn't clearly exploit a particular reading protocol wouldn't be the clearest example of a specific genre. It would instead be a "borderline case" of that genre. Moreover, because these "borderline cases" are so prevalent, the author would almost certainly agree that works that do not exploit a particular reading protocol are "sometimes" borderline cases of a genre.

    The passage doesn't provide us the most straightforward path to determine whether the author would agree with (A). But if we think through some of the author's claims, we can see that the author would probably agree with (A). Still, even expert test-takers would prefer to check the remaining answer choices. If we can confidently eliminate the field, we can select (A) with certainty.

  2. B
    Readers' expectations regarding a Remaining source text redacted.
    Why choice B is not credited

    (B) Does this seem consistent with passage B's author's main point or what you remember reading about the author's opinions?

    No, this is antithetical to the main point advanced in passage B. The author of passage B argues that readers' expectations — specifically, how their expectations influence how they interact with literary works — are essential to a work's genre classification. For instance, readers' expectations about poetry's sounds lead readers to pay more attention to the sound of words in poems (PB, P2, S2). And readers' expectations about the worlds science-fiction writers construct cause readers to pay particular attention to the differences between the real world and the world depicted in a science-fiction novel (PB, P2, S4-5).

  3. C
    Thematic similarities constitute the Remaining source text redacted.
    Why choice C is not credited

    (C) Does this seem consistent with passage B's author's main point or what you remember reading about the author's opinions?

    No. This is the opposite of what we're looking for. Passage B's author's main point is that classifying genres based on "reading protocols" is more useful than classifying genres based on thematic similarities. Indeed, the author says classifying based on thematic similarities creates so many problem cases that it "fails to demarcate genres entirely" (PB, P1, S2).

  4. D
    The interpretation of a Remaining source text redacted.
    Why choice D is not credited

    (D) Does this seem consistent with passage B's author's main point or what you remember reading about the author's opinions?

    Probably not. Still, this is a popular answer choice among test-takers. If you stuck between this answer choice and any others, you'd need to review the passage to see if there were any references to interpreting sentences.

    We'll find that reference (perhaps by using the CTRL/Command + F search function) in the first paragraph. In that paragraph, the author says that "reading protocols" instruct readers on how to respond to and interpret sentences (PB, P1, S3). The author also claims that reading protocols are how genres are classified. So, if reading protocols tell readers how to interpret sentences and determine a work's genre, then the interpretation of a sentence does depend at least somewhat on the work's genre.

    Some test-takers focus on the following sentence to support their selection of (D) — the author's claim that we "are free to read any text by any reading protocol we wish" (PB, P1, S4). These test-takers assume that if readers can choose any reading protocol, the readers' interpretation of a sentence ultimately doesn't depend on the genre. Even if this is true, as long as some readers use the appropriate reading protocol — as the author suggests in the second paragraph (PB, P2, S2-5) — the interpretation of sentences sometimes depends on the work's genre, proving (D) wrong.

  5. E
    Every work of fiction Remaining source text redacted.
    Why choice E is not credited

    (E) Does this seem consistent with passage B's author's main point or what you remember reading about the author's opinions? 

    No. Like (C), this is antithetical to the main point advanced by the author of passage B. The author of passage B does not believe that works of a given genre must share the same themes as other works from that genre. In fact, the author believes that trying to determine a fictional work's genre based on "thematic similarities" is so problematic as to be useless (PB, P1, S2).

What this tests

Question analytics

Based on historical answer selection rates for this question.

Answer choice distribution

  1. A Credited 53%
  2. B 14%
  3. C 8%
  4. D 18%
  5. E 7%

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