Reading comp PrepTest 150 · Section 1 · Question 13
Passage
Passage walkthrough
Topic: Humanities
Passage A
Paragraph 1
- Paragraph note
- Borges's "special type of reader" in detective fiction
- Views, minor Meta-Structures, points of intersection, and the author's attitude
- Definition of the "special type of reader":
- Confronts literature with suspicions, reads any piece of literature like a detective novel (second sentence)
- Author's attitude: "insight into the general nature of literature" (last sentence)
- Definition of the "special type of reader":
Paragraph 2
- Paragraph note
- Borges: The way books are read determines a book's genre
- Views, minor Meta-Structures, points of intersection, and the author's attitude
- Comparisons, according to Borges:
- The reader's participation in the "aesthetic event" of literature is not external to the literature but instead central to it (second sentence)
- Readers read books of the same genre in the same way (last sentence)
- Genre is determined by how readers approach the literary work rather than the work's formal elements (last sentence)
- Comparisons, according to Borges:
Passage B
Paragraph 1
- Paragraph note
- Author: Classifying genres based on the works' themes is difficult, so a better classification system is based on "reading protocols"
- Views, minor Meta-Structures, points of intersection, and the author's attitude
- Comparison, according to the author:
- Classifying genres based on thematic similarities leads to so many "borderline cases," so a more fruitful way to define genres is based on "reading protocols" (first through third sentences)
- Definition of "reading protocols":
- The way we read, respond to sentences, and make sense of the text (third sentence)
- Point of intersection with passage A:
- The discussion of "reading protocols" recalls passage A's discussion of detective novels' "special kind of reader," the description of the "aesthetic event" between reader and text, and the passage's conclusion
- Author's attitude: "taxonomic difficulties of such an approach are notorious" (first sentence); "arises so often" (second sentence); "fails to demarcate genres entirely" (second sentence); "more fruitful" (third sentence); "particularly rich" (last sentence)
- Comparison, according to the author:
Paragraph 2
- Paragraph note
- Author: Need to determine how literary works promote reading protocols; examples of reading protocols
- Views, minor Meta-Structures, points of intersection, and the author's attitude
- Examples of reading protocols, according to the author:
- When reading poetry, we pay more attention to the sound of words (second sentence)
- When reading science fiction, we pay special attention to the differences between our world and the "world of the story" (fourth and last sentences)
- Author's attitude: "Our major critical effort must therefore be" (first sentence); "particular attention" (last sentence)
- Examples of reading protocols, according to the author:
Main Points?
Passage A: Borges argues that the detective novel highlights how a literary work's genre is determined by how readers approach the work, not by the work's formal characteristics.
Passage B: It's better to classify literary genres based on the "reading protocols" the genre promotes, so critics should explore how genres create and encourage these protocols.
Key Lines?Passage A:
Paragraph 2, Sentence 3 (P2, S3) - Author's conclusion
Passage B:
P1, S3 - Author's subsidiary conclusion
P2, S1 - Author's main conclusion
Meta-Structure? Relationship Between Passages?
Relationship - Similar Viewpoints: The authors of these two passages have very similar views. The authors share the belief that literary genres are primarily defined by how readers interact with the literary works. The author of passage A, parroting Borges, refers to this interaction as an "aesthetic event" that the reader creates when engaging with literature (PA, P2, S1). On the other hand, passage B's author refers to the interaction between reader and text as "reading protocols." Still, both authors believe that readers will interact with different genres' works in different ways. Passage A provides an example of the suspicion a detective-story reader will bring to the text (PA, P1, S2), while passage B provides examples of how poetry and science-fiction readers will confront texts in those genres (PB, P2, S2-5). Because these authors' views are very similar, we should expect several questions that ask us to identify similarities between the passages and the authors' beliefs.
Last Thoughts?The questions on comparative passages frequently ask about the authors' positions, so it's critical that we have a firm understanding of each author's beliefs. It's not difficult to discern the opinions of passage B's author. However, many test-takers have trouble unpacking whether passage A's author expresses any beliefs. After all, the argument in passage A is mostly attributed to Borges.
However, a few clues help us determine that the author of passage A agrees with Borges. First, the author expresses a little attitude at the end of the first paragraph. The author says Borges's interest in the detective novel "draws our attention to an insight into the general nature of literature" (PA, P1, S3). By characterizing Borges's claims with a positive term like "insight," the author suggests that they agree with Borges's argument. When the author elaborates on this "insight into the general nature of literature" in the second paragraph, we can infer that the author agrees with these claims. Moreover, even if the author mostly attributes claims made in the second paragraph to Borges, the author drops this attribution in the last sentence: "Thus, what unites works belonging to the same genre is the way those works are read, rather than, say, a set of formal elements found within the works" (PA, P2, S3). By not crediting Borges in this sentence, the author subtly lets us know that they agree with this conclusion.
Question prompt
Why the credited answer is right
Credited answer: C
The notes below walk through why it fits the stem and how to eliminate the rest.
Question Type
Strategy Overview
Answer Anticipation
Answer choices
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ACan works of fiction Remaining source text redacted.
Why choice A is not credited
(A) Does this question sound like, "How should we determine which literary genre a work belongs to?" or "How should we classify literary genres?"
Nope. Experienced test-takers would cross this off once they noticed that it brought up the idea of "literary value," which was not part of our anticipation. Besides, this isn't a topic brought up in either passage, so this certainly isn't a question both passages attempt to answer.
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BWho created the genre Remaining source text redacted.
Why choice B is not credited
(B) Does this question sound like, "How should we determine which literary genre a work belongs to?" or "How should we classify literary genres?"
No. Expert test-takers would eliminate this once they say it addressed "detective fiction," a subject only discussed in passage A. Additionally, the question of who created detective fiction was an incidental point in passage A (PA, P1, S1). This answer choice doesn't mention classifying genres or anything like that, so it doesn't bring up a question central to either passage.
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CWhat determines whether a Remaining source text redacted.
Why choice C matches the stem
(C) Does this question sound like, "How should we determine which literary genre a work belongs to?" or "How should we classify literary genres?"
Yes! This is a near-verbatim match for our anticipation, so we can justifiably select it and move on to the next question.
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DWhat is an author's Remaining source text redacted.
Why choice D is not credited
(D) Does this question sound like, "How should we determine which literary genre a work belongs to?" or "How should we classify literary genres?"
Not quite. Although this answer choice brings up the idea of determining which literary genre a story belongs to, it mentions the "author's role" in determining the genre. Neither passage specifies what authors do to place their works into a specific genre. In fact, both passages suggest that a work's formal characteristics — those in direct control of the author — do not determine the work's genre (PA, P2, S3; PB, P1, S1). Instead, both passages describe how readers' interactions with a text dictate the text's genre.
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EWhat does science fiction Remaining source text redacted.
Why choice E is not credited
(E) Does this question sound like, "How should we determine which literary genre a work belongs to?" or "How should we classify literary genres?"
Not exactly. Although we can answer this question after reading both passages — readers employ specific reading methods when reading science fiction and detective fiction — neither passage brings up both science fiction and detective fiction. This could be a decent answer if it were abstracted a little bit ("What do works within a literary genre have in common with each other?"), but as written, it is incorrect.
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