Reading comp PrepTest 138 · Section 1 · Question 4

Passage

Questions 1-7  .        The corrido , a type of narrative folk song, comes  . from a region half in Remaining source text redacted.
Passage walkthrough
Passage Summary

Topic: Humanities


Paragraph 1

  • Paragraph note
    • Corridos' subject matter (border-specific issues to commemorate and bring the community together)
  • Views, minor Meta-Structures, and the author's attitude
    • Definition of "corrido": a narrative folk song with roots in 18th-c. Spanish ballads, flourished from 1836 to late 1930 in border community called Lower Rio Grande Border (first and second sentences)
    • Comparison, according to the author:
      • All corridos have the same subject matter (border-specific issues) and contain the same generic elements (third and fifth sentences)
    • Example of a corrido with a border-specific issue, according to the author:
      • "El Corrido de Kiansis," which commemorated the first cattle drives to Kansas in the 1860s (fourth sentence)
    • Author's view on the purpose of corridos:
      • Corridos commemorated local events and helped bring the border community together (last sentence)
    • Author's attitude: "more importantly" (last sentence); "served to affirm the cohesiveness" (last sentence)

Paragraph 2

  • Paragraph note
    • Corridos' language (simple, few embellishments, everyday images in metaphor when used)
  • Views, minor Meta-Structures, and the author's attitude
    • Examples of simple metaphors in corridos, according to the author:
      • Thunderstorm as a metaphor for a fight in "El Corrido de Gregorio Cortez" and "El Corrido de Kiansis" (third and fourth sentences)
    • Author's view on the purpose of simple language:
      • Language is simple and the imagery is conventional and recognizable, which reflects the continuity of the corrido tradition (last sentence)
    • Author's attitude: "simply and swiftly, without embellishments" (first sentence); "highly conventional and readily recognizable" (last sentence); "reflects and strengthens the continuity of the corrido tradition" (last sentence)

Paragraph 3

  • Paragraph note
    • Corridos' ready-made lines (despedida, closing verse with repeated lines)
  • Views, minor Meta-Structures, and the author's attitude
    • Author's view:
      • The conventional lines that appear in many corridos is most readily illustrated by the despedida, the formal closing verse with conventional first and third lines (first, second, fourth through last sentences)
    • Example of despedida, according to the author:
      • Closing lines in one version of "El Corrido de Gregorio Cortez" (third sentence)
    • Author's attitude: "travel easily" (first sentence); "most evident" (second sentence); "perhaps the clearest marker" (last sentence)

Main Point: By using familiar images, lines, and experiences, corridos strengthened and created continuity in border communities from around 1836 to the 1930s.

Key Lines?

Paragraph 1, Sentence 6 (P1, S6) - Purpose of corridos is summarized

P2, S5- The scope and purpose of imagery in corridos is summarized

P1, S6 - The scope and purpose of repeated lines is summarized

Meta-Structure?

Importance of Subject - This passage utilizes an Importance of [Subject] Meta-Structure (in this case, Importance of the Corrido or Importance of a Tradition). A number of humanities passages explore a tradition, looking at its influences, its purpose, and its legacy. In this case, the author explores how corridos' purpose, subject matter, and composition made them important to border communities in the nineteenth and early twentieth centuries.

In an Importance of Subject passage, the main point is generally the author's opinions on why the subject was important. To anticipate this main point, we can look for whether the author provides a conclusion that summarizes this opinion. But if the author doesn't provide such a conclusion, we'll have to summarize the author's opinions ourselves. In this case, the author provided a conclusion at the end of the first paragraph (P1, S6). But we also decided to anticipate a slightly more specific version of this statement, just to cover our bases: "By using familiar images, lines, and experiences, corridos strengthened and created continuity in border communities from around 1836 to the 1930s."

Example: The most prominent minor Meta-Structure is the example. In fact, the author uses an example to illustrate the point the author makes in each paragraph. We will certainly get some Minor Point or Argument Structure questions on these examples, so keep them highlighted!

Last Thoughts?

Each paragraph follows a pretty similar pattern — details are discussed, an example is presented, and then the overall point of that paragraph is summed up. In each case, the point presents the scope and purpose of something — corridos overall (Paragraph 1), their imagery (Paragraph 2), and their repeated lines (Paragraph 3). Noting this parallel structure should make it a lot easier to find any specific details or answer any structure questions.

On top of that, the end of Paragraph 1, at a very high level, outlines the rest of the passage. We know that the purpose of Paragraph 1 was to discuss the purpose of corridos overall, and it notes that the "more important[]" purpose was to affirm the cohesiveness of border communities using "familiar linguistic and thematic conventions." The discussion of imagery, metaphor, and repeated lines dives into these linguistic and thematic conventions in more detail.

Question prompt

Which one of the Remaining source text redacted.
Why the credited answer is right

Credited answer: B

The notes below walk through why it fits the stem and how to eliminate the rest.

Question Type

Humanities

Strategy Overview

Refer to notes or what you highlighted/underlined to locate where the passage discusses metaphors, and refer to the relevant part of the passage as needed to find that answer choice that brings up one of the mentioned metaphors

Answer Anticipation

For questions that ask us to find a specific detail mentioned in the passage, quickly finding and reviewing that piece of information is paramount. That is why we make brief notes describing the role of each paragraph and highlight or underline definitions and the minor Meta-Structures — doing so helps us find the salient information efficiently and reliably. Once we review that part of the passage, we can look through the answer choices to see which one is best supported by what we reviewed.Here, the question asks about metaphors. Where did those show up in the passage? Our note for the second paragraph is "Corridos' language (simple, few embellishments, everyday images in metaphor when used)." That should prompt us to review the second paragraph. If we highlighted the two examples in the passage (which we recommend since examples are one of the minor Meta-Structures), locating the relevant text would be very easy. (Alternatively, we could use the CTRL/Command + F function to search for "metaphor.")Heading there, we see the first example brought up is "El Corrido of Gregorio Cortez." Looking at the quoted text, we can see that it uses the metaphor of a thunderstorm and mist (P2, S4). The passage then goes on to a separate example of "Kiansis," but that one says that it uses similar storm imagery, not a metaphor (P2, S5). The description backs this up as an image and not a metaphor, as the corrido is about a real thunderstorm that caused an actual stampede — those things happened, they're not metaphors.So let's find an answer with either of the two elements of the metaphor from "Gregorio Cortez": thunderstorms and mist.

Answer choices

  1. A
    cattle drives
    Why choice A is not credited

    (A) Does this say "thunderstorms" or "mist"?

    Nope. Cross it off. "Kiansis" is about cattle drives that saw stampedes because of thunderstorms - the cattle drive was an actual event, not a metaphor.

  2. B
    mist
    Why choice B matches the stem

    (B) Does this say "thunderstorms" or "mist"?

    Yes! Let's select it and move on to the next question.

    In "Gregorio Cortez," the passage notes that it uses the metaphor of a thunderstorm to "boast that he has had harder fights," and the text from that song shows that he compares the current fight to "little mist." Mist is, therefore, a part of the metaphor, making this the correct answer.

  3. C
    a cypress tree
    Why choice C is not credited

    (C) Does this say "thunderstorms" or "mist"?

    Nope. Cross it off. The despedida in "Gregorio Cortez" talks about the shade of a cypress tree (P3 S3), but there's no indication the tree is a metaphor for anything else. The tree is probably an actual tree.

  4. D
    a fight
    Why choice D is not credited

    (D) Does this say "thunderstorms" or "mist"?

    Nope. Still, many test-takers get tripped up by this answer choice. If you know what a "metaphor" is (a word or phrase used as a stand-in for something else), you could eliminate this answer choice. Thunderstorms and mist are used as a metaphor for fights. The thunderstorm and mist are stand-ins for the fights, but the fights themselves aren't the metaphor!

    But even if your memory of school lessons on metaphors is a little shaky, you could just review the passage! The passage says "Gregorio Cortez" uses the "metaphor of a thunderstorm" and then shows the metaphor also extends to "mist" (P2, S4).

  5. E
    stampedes
    Why choice E is not credited

    (E) Does this say "thunderstorms" or "mist"?

    No. Cross it off. "Kiansis" is about cattle drives that saw stampedes because of thunderstorms - the stampedes were actual events, not a metaphor (P2, S5).

What this tests

Question analytics

Based on historical answer selection rates for this question.

Answer choice distribution

  1. A 3%
  2. B Credited 70%
  3. C 1%
  4. D 12%
  5. E 13%

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Discussion

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