Reading comp PrepTest 101 · Section 4 · Question 5

Passage

Questions 1-8  .        Wherever the crime novels of P. D. James are  . discussed by critics, there is a Remaining source text redacted.
Passage walkthrough
Passage Summary

Topic: Humanities


Paragraph 1

  • Paragraph note
    • Debate on the quality of James' crime novels
  • Views, minor Meta-Structures, and the author's attitude
    • The first side of the debate:
      • Critics who over-exaggerate James's merits as a writer (first sentence)
    • The second side of the debate:
      • Critics who find James's writing overly pretentious (first sentence)
    • Cause-and-effect relationship, according to the author:
      • The general dichotomy between slightly dull "highbrow" novels and enjoyable "lowbrow" literature is at the root of the debate surrounding James's detective novels (last sentence)
    • Author’s attitude: “exaggerate” (first sentence); "familiar, false opposition” (second sentence); "somehow" (second sentence)

Paragraph 2

  • Paragraph note
    • Elaborates on both sides of the debate
  • Views, minor Meta-Structures, and the author's attitude
    • The first side of the debate (James's work is "high literature" ):
      • James uses meticulous character constructions, elaborate settings, and lots of abstractions (first sentence)
    • The second side of the debate (James's work is overly pretentious):
      • James creates tiresome works that abandon the conventions of the detective genre (second sentence)
    • Examples to support the second viewpoint:
      • Harriet Waugh and Philip Oakes' critiques (last sentence)
    • Author's attitude: "inverted snobbery" (second sentence)

Paragraph 3

  • Paragraph note
    • Author: Recognizes the merits of each side of the debate
  • Views, minor Meta-Structures, and the author's attitude
    • Author's view:
      • James's descriptive writing and characterization add "dignity and weight" to her works (first through third sentences)
      • But these narrative devices strongly distract from the plot and aren't always successfully deployed (fourth through fifth sentences)
    • Comparison of James's interests, according to the author:
      • James dedicates more attention to describing the patinas and aromas of a country kitchen than the plot (fourth sentence)
      • James is less interested in the detective elements of her novels than in describing her characters (last sentence)
    • Author's attitude: "certainly capable of strikingly good writing" (first sentence); "convincing histories and passions" (second sentence); "part of the pleasure of her books" (third sentence); "dignity and weight" (third sentence); "equally true" (fourth sentence); "frequently interfere" (fourth sentence); "can be shameless and thin" (fifth sentence), "often impossible" (fifth sentence)

Paragraph 4

  • Paragraph note
    • Author: James may be losing interest in the detective novel and should abandon it
  • Views, minor Meta-Structures, and the author's attitude
    • Author's view:
      • Since James seems to feel increasingly constrained by the conventions of the detective genre, she should perhaps switch to general fiction writing (first through last sentence)
    • Author's attitude: "However…" (first sentence) "there is no reason why" (first sentence); "conscious rebellion" (third sentence); "fashionable" (fourth sentence), "reprehensible" (fourth sentence), "perhaps the time has come" (last sentence)

Main Point: Because P.D. James's narrative style is constrained by the traditional conventions of the detective genre, she should migrate to writing general fiction.

Key Lines?

Paragraph 1, Sentence 1 (P1, S1) - Introduction of both sides of the debate

P2, S1 - Rationale for the first side of the debate

P2, S1 - Rationale for the second side of the debate

P3, S3-4 - Author's stance

P4, S5:- Author's recommendation

Meta-Structure?

Resolving a Debate: In this passage, the author describes two opposing viewpoints before expressing their own opinion on the matter. The debate at hand involves P. D. James's unique approach to the detective genre. In the first paragraph, the author introduces the rival opinions: those who strongly believe in James's merits as an author of crime fiction and those who think that she strays too far from the genre's conventions (P1, S1). In the second paragraph, the author elaborates on each side's rationale for their points of view. Finally, in the third and fourth paragraphs, the author offers their opinion, suggesting a compromise between the two previously discussed points of view. This explanation — and subsequent resolution — of two opposing viewpoints strongly suggests a Resolving a Debate Meta-Structure.

In a Resolving a Debate Meta-Structure, the main point will be the author's opinion or mediation/reconciliation of the debate. The author helpfully offers the reconciliation in the fourth paragraph. We summarized this resolution as follows, "Because P.D. James's narrative style is constrained by the traditional conventions of the detective genre, she should migrate to writing general fiction."

Examples: The author uses examples at two different points in the passage to illustrate a specific viewpoint:

  • The author mentions the critics Harriet Waugh and Philip Oakes (P2, S3). These examples demonstrate the view that James's detective novels are overly pretentious and stray from the genre's conventions.
  • The author references the "patinas and aromas of a country kitchen [that] receive more loving attention than does the plot itself" and that James often makes it impossible to see how the detective arrives at the truth in her novels (P3, S4-5). These examples support the author's claim that James's descriptive, philosophical style interferes with the story in detective fiction.

As is the case with all our minor Meta-Structures, we should have these highlighted or underlined to help us locate them in the likely event that we get a question about them.

Last Thoughts?

Question prompt

The passage suggests that Remaining source text redacted.
Why the credited answer is right

Credited answer: A

The notes below walk through why it fits the stem and how to eliminate the rest.

Question Type

Humanities

Strategy Overview

Refer to notes or what you highlighted/underline to locate where the passage discusses Waugh and Oakes's opinions of James's novels, and refer to the relevant part of the passage as needed to find that answer choice that must be true

Answer Anticipation

Here's another question that asks us to pick an answer choice that must be true. Fortunately, this one points us to a particular part of the passage. It asks us to make an inference about Waugh and Oakes's opinions of James's novels.So, where did their opinions show up in the passage? Even if we didn't highlight those examples, a quick CTRL/Command + F search reveals that the author cites their critiques of James's novels at the end of the second paragraph. In that paragraph, Waugh and Oakes criticize James for neglecting the conventions of the detective novel. Waugh argues that James wastes pages before "laying a tricky trail and then fooling the reader," while Oaks "groans" that James doesn't get to "the business of clapping the handcuffs on the killer" soon enough (P2, S3). The correct answer will likely reflect these critics' annoyance with James's reluctance to follow the detective novel's conventions.

Answer choices

  1. A
    too much material that Remaining source text redacted.
    Why choice A matches the stem

    (A) Does this answer choice reflect these critics' annoyance with James's reluctance to follow the detective novel's conventions?

    Yes, it gets very close to our anticipation! Waugh and Oakes suggest that James writes too much material unrelated to the solution of the crime at the heart of the detective novel. Both use language that connotes their impatience with James's writing. Waugh asks if James can "get on with" solving the crime, and Oakes asks if James could "please proceed" with solving the crime (P2, S3). These statements imply that she adds extraneous material unrelated to the crime at the heart of a detective novel. Because this answer choice is consistent with our anticipation and receives explicit support from the text, we'd be justified in selecting (A), moving past the remaining answer choices, and progressing to the next question.

  2. B
    too little characterization to Remaining source text redacted.
    Why choice B is not credited

    (B) Does this answer choice reflect these critics' annoyance with James's reluctance to follow the detective novel's conventions?

    While leaving clues to "enable the reader to solve the crime" may be a convention of the detective novel, the passage doesn't support the notion that Waugh and Oakes are annoyed at James for failing to honor that possible convention. In fact, Waugh implores James to fool the reader (P2, S3), not to help the reader solve the crime.

  3. C
    too few suspects to Remaining source text redacted.
    Why choice C is not credited

    (C) Does this answer choice reflect these critics' annoyance with James's reluctance to follow the detective novel's conventions?

    Again, adding many suspects to generate suspense may be a detective novel convention. However, the passage never explicitly states that this is a convention, and Waugh and Oakes certainly do not grumble about James's failure to follow this possible standard. Therefore, (C) is unsupported.

  4. D
    too simple a plot Remaining source text redacted.
    Why choice D is not credited

    (D) Does this answer choice reflect these critics' annoyance with James's reluctance to follow the detective novel's conventions?

    Not quite. Waughs arguably implies that a complex plot is a common feature of detective novels — particularly the reference to "a tricky trail" (P2, S3). However, Neither Waugh nor Oakes characterizes James's narratives as "simple." They would probably agree that her novels feature too many extraneous details, but that doesn't mean they think the plot is too straightforward.

  5. E
    too convoluted a plot Remaining source text redacted.
    Why choice E is not credited

    (E) Does this answer choice reflect these critics' annoyance with James's reluctance to follow the detective novel's conventions?

    Not exactly. Neither Waugh nor Oakes characterizes James's narratives as "convoluted." While they would agree that her novels feature unnecessary details — like descriptions of "the patinas and aromas of a country kitchen" (P2, S2) — that doesn't mean they think the plot is too complicated. A story's "plot" refers to the events that drive the story. The details a writer chooses to depict are not necessarily part of the story's plot. So, criticizing a writer for describing too many details is not the same as attacking a writer for writing too much plot.

What this tests

Question analytics

Based on historical answer selection rates for this question.

Answer choice distribution

  1. A Credited 90%
  2. B 3%
  3. C 1%
  4. D 2%
  5. E 4%

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Discussion

  • Why not E 1 reply

    Started by Meredith

  • Help! 2 replies

    Started by paigetenk