Reading comp PrepTest 101 · Section 4 · Question 1
Passage
Passage walkthrough
Topic: Humanities
Paragraph 1
- Paragraph note
- Debate on the quality of James' crime novels
- Views, minor Meta-Structures, and the author's attitude
- The first side of the debate:
- Critics who over-exaggerate James's merits as a writer (first sentence)
- The second side of the debate:
- Critics who find James's writing overly pretentious (first sentence)
- Cause-and-effect relationship, according to the author:
- The general dichotomy between slightly dull "highbrow" novels and enjoyable "lowbrow" literature is at the root of the debate surrounding James's detective novels (last sentence)
- Author’s attitude: “exaggerate” (first sentence); "familiar, false opposition” (second sentence); "somehow" (second sentence)
- The first side of the debate:
Paragraph 2
- Paragraph note
- Elaborates on both sides of the debate
- Views, minor Meta-Structures, and the author's attitude
- The first side of the debate (James's work is "high literature" ):
- James uses meticulous character constructions, elaborate settings, and lots of abstractions (first sentence)
- The second side of the debate (James's work is overly pretentious):
- James creates tiresome works that abandon the conventions of the detective genre (second sentence)
- Examples to support the second viewpoint:
- Harriet Waugh and Philip Oakes' critiques (last sentence)
- Author's attitude: "inverted snobbery" (second sentence)
- The first side of the debate (James's work is "high literature" ):
Paragraph 3
- Paragraph note
- Author: Recognizes the merits of each side of the debate
- Views, minor Meta-Structures, and the author's attitude
- Author's view:
- James's descriptive writing and characterization add "dignity and weight" to her works (first through third sentences)
- But these narrative devices strongly distract from the plot and aren't always successfully deployed (fourth through fifth sentences)
- Comparison of James's interests, according to the author:
- James dedicates more attention to describing the patinas and aromas of a country kitchen than the plot (fourth sentence)
- James is less interested in the detective elements of her novels than in describing her characters (last sentence)
- Author's attitude: "certainly capable of strikingly good writing" (first sentence); "convincing histories and passions" (second sentence); "part of the pleasure of her books" (third sentence); "dignity and weight" (third sentence); "equally true" (fourth sentence); "frequently interfere" (fourth sentence); "can be shameless and thin" (fifth sentence), "often impossible" (fifth sentence)
- Author's view:
Paragraph 4
- Paragraph note
- Author: James may be losing interest in the detective novel and should abandon it
- Views, minor Meta-Structures, and the author's attitude
- Author's view:
- Since James seems to feel increasingly constrained by the conventions of the detective genre, she should perhaps switch to general fiction writing (first through last sentence)
- Author's attitude: "However…" (first sentence) "there is no reason why" (first sentence); "conscious rebellion" (third sentence); "fashionable" (fourth sentence), "reprehensible" (fourth sentence), "perhaps the time has come" (last sentence)
- Author's view:
Main Point: Because P.D. James's narrative style is constrained by the traditional conventions of the detective genre, she should migrate to writing general fiction.
Key Lines?
Paragraph 1, Sentence 1 (P1, S1) - Introduction of both sides of the debate
P2, S1 - Rationale for the first side of the debate
P2, S1 - Rationale for the second side of the debate
P3, S3-4 - Author's stance
P4, S5:- Author's recommendation
Meta-Structure?Resolving a Debate: In this passage, the author describes two opposing viewpoints before expressing their own opinion on the matter. The debate at hand involves P. D. James's unique approach to the detective genre. In the first paragraph, the author introduces the rival opinions: those who strongly believe in James's merits as an author of crime fiction and those who think that she strays too far from the genre's conventions (P1, S1). In the second paragraph, the author elaborates on each side's rationale for their points of view. Finally, in the third and fourth paragraphs, the author offers their opinion, suggesting a compromise between the two previously discussed points of view. This explanation — and subsequent resolution — of two opposing viewpoints strongly suggests a Resolving a Debate Meta-Structure.
In a Resolving a Debate Meta-Structure, the main point will be the author's opinion or mediation/reconciliation of the debate. The author helpfully offers the reconciliation in the fourth paragraph. We summarized this resolution as follows, "Because P.D. James's narrative style is constrained by the traditional conventions of the detective genre, she should migrate to writing general fiction."
Examples: The author uses examples at two different points in the passage to illustrate a specific viewpoint:
- The author mentions the critics Harriet Waugh and Philip Oakes (P2, S3). These examples demonstrate the view that James's detective novels are overly pretentious and stray from the genre's conventions.
- The author references the "patinas and aromas of a country kitchen [that] receive more loving attention than does the plot itself" and that James often makes it impossible to see how the detective arrives at the truth in her novels (P3, S4-5). These examples support the author's claim that James's descriptive, philosophical style interferes with the story in detective fiction.
As is the case with all our minor Meta-Structures, we should have these highlighted or underlined to help us locate them in the likely event that we get a question about them.
Last Thoughts?Question prompt
Why the credited answer is right
Credited answer: A
The notes below walk through why it fits the stem and how to eliminate the rest.
Question Type
Strategy Overview
Answer Anticipation
Answer choices
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ABecause P. D. James's Remaining source text redacted.
Why choice A matches the stem
(A) Does this answer choice align with our anticipated main point ("Because P.D. James's narrative style is constrained by the traditional conventions of the detective genre, she should migrate to writing general fiction")?
Yes, almost exactly! The statement in the answer choice that James's potential as a writer is "stifled" by her chosen genre is consistent with the author's claim that the rules of James's chosen genre cramp her creative thought (P4, S1). Additionally, the phrase that James should turn her talents to more mainstream fiction matches the author's solution, which uses the same prescriptive language at the end of the passage (P4, S5). Given this answer choice's close match to our anticipation, we can justifiably choose it and move on to the next question.
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BBecause the requirements of Remaining source text redacted.
Why choice B is not credited
(B) Does this answer choice align with our anticipated main point ("Because P.D. James's narrative style is constrained by the traditional conventions of the detective genre, she should migrate to writing general fiction")?
Not quite. Although (B) somewhat matches our anticipated main point's sentiment that a particular genre might stifle creative expression, it is ultimately incorrect for two reasons.
First, (B) does not identify the type of novel that stifles creative expression. While (B) says that popular novels have this effect, the author never claims a novel's popularity limits creativity. Instead, the author argues that the demands of the novel's genre make it inconsistent with creativity.
Second, the statement that "James's promise as a serious author has been diminished" is unsupported. If anything, the author opposes that idea when they discuss James's merits as an author (P3, S1).
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CThe dichotomy between popular Remaining source text redacted.
Why choice C is not credited
(C) Does this answer choice align with our anticipated main point ("Because P.D. James's narrative style is constrained by the traditional conventions of the detective genre, she should migrate to writing general fiction")?
Not exactly. This answer choice may be tempting because it mentions a dichotomy described by the text. But well-prepared test takers know that it's not enough to pick a Main Point answer merely because it mentions something from the passage. We also need to ensure that it's the point the author wanted to leave us with. (C) omits the author's resolution of the debate in this passage, so it does not reflect the idea that the author ultimately wanted to impart to the reader.
Moreover, this statement isn't even accurate. If we refer back to the spot where that dichotomy is mentioned, we'll see that the author says that this dichotomy is illustrated by the debate on P.D. James's novels (P1, S2), not by James's novels themselves.
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DThe critics who have Remaining source text redacted.
Why choice D is not credited
(D) Does this answer choice align with our anticipated main point ("Because P.D. James's narrative style is constrained by the traditional conventions of the detective genre, she should migrate to writing general fiction")?
Nope. This isn't even an accurate rendering of the author's opinion. While one of the critics' grievances with James's work is the lack of attention to the specifics of detection (P3, S6), the author doesn't defend James's "carefully constructed plots." The author states that James's devices to advance the plot are "shameless" and "thin" (P3, S5), not "carefully constructed." Therefore, this answer choice goes directly against the passage.
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EAlthough her plots are Remaining source text redacted.
Why choice E is not credited
(E) Does this answer choice align with our anticipated main point ("Because P.D. James's narrative style is constrained by the traditional conventions of the detective genre, she should migrate to writing general fiction")?
Nope. While the first half of this answer choice correctly describes the author's opinions about James's plot development, well-prepared test-takers will remember that only "half right" = 100% wrong on the LSAT! If we read (E) further, we'll see that this one is no exception. The author ultimately suggests that James's writing style would justify moving away from detective novels and towards more general fiction, not James remaining in detective fiction (P4, S5). Therefore, like (D), the second half of (E) contrasts the information in the passage.
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