Reading comp PrepTest 111 · Section 2 · Question 11

Passage

Questions 7-14  .        The paintings of Roman Bearden (1914–1988)  . represent a double triumph. At the same time that Remaining source text redacted.
Passage walkthrough
Passage Summary

Topic: Humanities


Paragraph 1

  • Paragraph note
    • Author on Bearden's two accomplishments (uses innovative painting techniques and expresses the variety of African-American experience)
  • Views, minor Meta-Structures, and the author's attitude
    • List of Bearden's two accomplishments, according to the author:
      • Innovating painting techniques and using art to explore the variety of the African-American experience
    • Author's attitude: "double triumph" (first sentence), "perfecting the innovative painting techniques he pioneered" (last sentence), "reveals an artist engaged" (last sentence)

Paragraph 2

  • Paragraph note
    • Bearden's technical innovations (layered, fragmented style; transformed commonplace subjects; respect to craft)
  • Views, minor Meta-Structures, and the author's attitude
    • Author's view:
      • Bearden had a "unique layered and fragmented style," which he used to transform everyday subjects (first sentence)
      • Bearden thought that artists must be aware of the "resources and limitations" of painting (last sentence)
    • Author's attitude: "unique layered and fragmented style" (first sentence), "the resourceful artist" (first sentence) , "pay their craft the respect ... energies" (last sentence)

Paragraph 3

  • Paragraph note
    • Bearden's representation of the African-American experience (revealed suffering and social reality of Depression-era subjects; muted colors)
  • Views, minor Meta-Structures, and the author's attitude
    • List of ways Bearden represented the African-American experience in his paintings, according to the author:
      • Bearden painted during the Great Depression, showing individual suffering (second and third sentences)
      • They used abstract but familiar settings to express a complex social reality (fourth sentence)
      • They used sad, muted colors to represent "moods of melancholy or despair" (fifth and last sentences)
    • Comparison, according to the author:
      • Bearden's paintings went beyond the typical "protest painting" of this era by revealing individual human suffering (third sentence)
    • Author's attitude: "so passionately dedicated" (first sentence), "succeed so well" (first sentence), "powerful" (second sentence), "grim and brooding" (second sentence), "move beyond" (third sentence), "reveal instances of human suffering" (third sentence), "express the complex social reality" (fourth sentence), "without compromising their integrity" (fourth sentence), "important element" (fifth sentence), "also served as symbols" (last sentence)

Paragraph 4

  • Paragraph note
    • More on Bearden's representation of the African-American experience (vividly represented happy scenes to depict fullness of African-American experience)
  • Views, minor Meta-Structures, and the author's attitude
    • Author's view:
      • Bearden also painted happy scenes with the same complexity (first sentence)
      • Bearden helps us to see the richness and depth of the African-American experience (last sentence)
    • Comparisons, according to the author:
      • Bearden's art avoided cliches (like the ones in journalism & photography) (second sentence)
      • Bearden's art focused on the "poetry" — scenes of family, religion, and celebration — rather than the "prose" like other artists (third sentence)
    • Author's attitude: "same vividness" (first sentence), "world long hidden by the cliches ... photography" (second sentence), "insists that we truly see ... using the fresh light of his creative vision" (fourth sentence), "created strange visual harmonies" (last sentence), "reflected the multiple rhythms, textures, and mysteries of life" (last sentence)

Main Point: Roman Bearden used innovative painting techniques to represent the African-American experience with novel depth and complexity.

Meta-Structure?

Innovative Subject: This passage utilizes an Innovative [Subject] Meta-Structure. In such a structure, the author describes why something or someone was unique, pioneering, or disruptive. In this Meta-Structure, "[Subject]" is a placeholder for whatever the subject of the passage happens to be. The subject of this passage is an artist, so we can think of this as an Innovative Artist passage.

In passages that use an Innovative Subject Meta-Structure, the main point will be the author's opinion on the innovative subject. We should look for whether the author provides a conclusion that summarizes their opinion on the innovative subject. The first paragraph gives us a pretty good summary of the author's opinion, so we can use that as our anticipated main point. We could also condense that paragraph to make our own main point: "Roman Bearden used innovative painting techniques to represent the African American experience with novel depth and complexity."

Comparison: The most prominent minor Meta-Structure is the comparison. This isn't surprising. In an Innovative [Subject] passage, the author will need to compare the subject to others to show what makes their subject so unique. Here, the author compares Bearden to "protest paintings" and artists who tried to capture the "prose" (speech, presumably) of Harlem as opposed to its "poetry" (family life).

Last Thoughts?

Wow, that's a lot of author's attitude in that passage! Your passage should be striped with whatever color you use to highlight the author's tonal phrases. Clearly, the author is a fan of one Roman Bearden. This laudatory tone is typical of many humanities passages — especially those that use an Innovative [Subject] or Importance of [Subject] Meta-Structure. We'll get a few questions about the author's attitude, but don't expect any of them to be as obvious as "Which of the following best captures the author's attitude toward Bearden?" Instead, the questions will likely ask why the author liked Bearden and what the author thinks about other art of this era.

Question prompt

It can be inferred Remaining source text redacted.
Why the credited answer is right

Credited answer: D

The notes below walk through why it fits the stem and how to eliminate the rest.

Question Type

Humanities

Strategy Overview

Refer to notes or what you highlighted/underline to locate where the passage discusses journalistic and photographic records, and refer to the relevant part of the passage as needed to find that answer choice that must be true

Answer Anticipation

For questions that ask us to infer, from a few details in the passage, an answer choice that must be true, quickly finding and reviewing those details is critical. That is why we make brief notes describing the role of each paragraph and highlight or underline definitions and the minor Meta-Structures — doing so helps us find the salient information efficiently and reliably.So, where did we read about journalistic and photographic records? Our notes don't tell us where the passage mentions this, so we may need to run a CTRL/Command + F search to locate this reference in the fourth paragraph. There, we can re-read that "Bearden sought in his work to reveal in all its fullness a world long hidden by the clichés of sociology and rendered cloudy by the simplifications of journalism and documentary photography" (P3, S2). From this, we can infer that journalistic and photographic records of Depression-era Harlem were cliche, superficial, or not very deep. Since the question stem specifically asks for something that these records don't do, let's look for an answer choice that says they don't depict the fullness of the African-American experience.

Answer choices

  1. A
    involve innovative creative techniques
    Why choice A is not credited

    (A) Does this say that the journalistic and photographic records of Depression-era Harlem do not depict the fullness of the African-American experience?

    Nope, so we can eliminate (A). But if we had to review the passage to eliminate (A), we wouldn't learn whether or not journalists or photographers in this era were innovatively creative. We never hear how innovative these artists were.

  2. B
    reveal instances of individual Remaining source text redacted.
    Why choice B is not credited

    (B) Does this say that the journalistic and photographic records of Depression-era Harlem do not depict the fullness of the African-American experience?

    No, so we can cross off (B). But if we had to review the passage to eliminate (B), we wouldn't learn whether or not journalists or photographers depicted instances of individual human suffering. (Common sense tells us they probably did, as they were depicting "Depression-era" subjects.) This answer choice tries to confuse test-takers into thinking about the "protest paintings," which didn't depict individual suffering. But the passage never tells us about the content of these journalistic and photographic records. So, for all we know, they might have had instances of individual suffering in them.

  3. C
    communicate the sociological platitudes Remaining source text redacted.
    Why choice C is not credited

    (C) Does this say that the journalistic and photographic records of Depression-era Harlem do not depict the fullness of the African-American experience?

    Negative. So, let's toss out (C). Besides, in our review of the third paragraph, we learned that these records used "cliches" (P3, S2) which, in this context, is synonymous with "platitudes." So, this answer choice describes something these records did.

  4. D
    depict the richness of Remaining source text redacted.
    Why choice D matches the stem

    (D) Does this say that the journalistic and photographic records of Depression-era Harlem do not depict the fullness of the African-American experience?

    Yes! We said in our anticipation that these records don't capture the depth of their subject, and this matches that perfectly. (D) is our answer! We can select it and advance to the following question.

  5. E
    cloud the picture of Remaining source text redacted.
    Why choice E is not credited

    (E) Does this say that the journalistic and photographic records of Depression-era Harlem do not depict the fullness of the African-American experience?

    Nope. Besides, our review revealed that these records do make the picture of everyday life "cloudy" (P3, S2). So, this answer choice describes something these records did.

What this tests

Question analytics

Based on historical answer selection rates for this question.

Answer choice distribution

  1. A 9%
  2. B 14%
  3. C 6%
  4. D Credited 64%
  5. E 7%

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