PrepTest 144
[lcid:3672] Prep Test 144 LSAT — Reading Comp — S1
Reading comp
Passage
. "Never was anything as incoherent, shrill, chaotic . and ear-splitting produced in music. The most piercing . dissonances clash
Remaining source text redacted.
Passage walkthrough
Passage SummaryTopic: Humanities
Paragraph 1
Schoenberg was similar in some ways to earlier composers, and he wasn't immediately appreciated, but through his evolving career, he developed new technical and emotional approaches to music that make him essential
Key Lines:
Lines 6-10 - Two composers are compared as initially unpopular
Lines 11-13 - The importance of the two composers is noted
Lines 20-23 - The composer who serves as the main topic of the passage is described
Lines 23-25 - The structure of the following paragraphs is noted
Lines 47-53 - Schoenberg's importance is described
Meta-Structure:
Importance of an Artist - Focusing on an artist and how they changed the form in which they worked is a common passage structure. When it's the case, it's important to have a solid grasp on the different styles presented—especially what was different about the artist in question. Additionally, it's important to know exactly why the Author believes the artist in question was so important.
Here, we know that Schoenberg's styles are looked at from Lines 25-45, so we should have noted a brief description of each step on his evolution. We also know that the last paragraph describes the Author's view on his importance. We can head to the questions feeling pretty comfortable that we can quickly locate any information we need to.
Last Thoughts:
Note that the passage shifts from comparing Schoenberg to Beethoven to comparing him to Mozart. It would be easy to lump Beethoven and Mozart together if you just read them as "other composer," but there might be a question that tries to trip us up on that front.
Paragraph 1
- Paragraph note
- A quote
- Views, minor Meta-Structures, and the author's attitude
- Some music was . . . really bad
- Paragraph note
- Details on the quote are given, along with a comparison
- Views, minor Meta-Structures, and the author's attitude
- Quote - 1806, about a Beethoven piece
- Similar to reactions to Schoenberg
- Paragraph note
- A similarity between the composers, and more on Beethoven
- Views, minor Meta-Structures, and the author's attitude
- Similarity - Altered language, expressive range of music
- Beethoven - Wasn't appreciated right away; required repeated listenings (phonograph)
- Paragraph note
- A similarity, with more on Schoenberg
- Views, minor Meta-Structures, and the author's attitude
- Similar - Constantly changing/evolving
- Schoenberg - Went through 3 styles (first late-Romantic - shifting harmonies)
- Similar - First style and Brahms
- Paragraph note
- Schoenberg's second style is discussed (no tonal basis)
- Views, minor Meta-Structures, and the author's attitude
- Second style - Unstable harmonies to no tonality
- Why? Inevitable future, and needed to for expression
- Paragraph note
- Schoenberg's third style (12-tone technique); All styles compared
- Brought stability to nontonal music
- Similarities in all - Schoenberg had technical mastery
- Growth - More condensed, violent in contrast, harder to follow
- Paragraph note
- Schoenberg's importance
- Views, minor Meta-Structures, and the author's attitude
- Important because of what he said, not how he made music
- 12-tone system previewed by Mozart - not most important
- Essential element - Captured disquieting emotions for first time (disturbing)
Schoenberg was similar in some ways to earlier composers, and he wasn't immediately appreciated, but through his evolving career, he developed new technical and emotional approaches to music that make him essential
Key Lines:
Lines 6-10 - Two composers are compared as initially unpopular
Lines 11-13 - The importance of the two composers is noted
Lines 20-23 - The composer who serves as the main topic of the passage is described
Lines 23-25 - The structure of the following paragraphs is noted
Lines 47-53 - Schoenberg's importance is described
Meta-Structure:
Importance of an Artist - Focusing on an artist and how they changed the form in which they worked is a common passage structure. When it's the case, it's important to have a solid grasp on the different styles presented—especially what was different about the artist in question. Additionally, it's important to know exactly why the Author believes the artist in question was so important.
Here, we know that Schoenberg's styles are looked at from Lines 25-45, so we should have noted a brief description of each step on his evolution. We also know that the last paragraph describes the Author's view on his importance. We can head to the questions feeling pretty comfortable that we can quickly locate any information we need to.
Last Thoughts:
Note that the passage shifts from comparing Schoenberg to Beethoven to comparing him to Mozart. It would be easy to lump Beethoven and Mozart together if you just read them as "other composer," but there might be a question that tries to trip us up on that front.
Question prompt
The author begins with
Remaining source text redacted.
Why the credited answer is right
Credited answer: D
The notes below walk through why it fits the stem and how to eliminate the rest.
Question Type
Humanities
Answer choices
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Agive an accurate account Remaining source text redacted.
Why choice A is not credited
Incorrect. The point of the passage is to discuss Schoenberg's importance, so it wouldn't make sense to start with a quote designed to focus just on Beethoven. The second paragraph compares Schoenberg and Beethoven, so the quote must be meant to play into that comparison in some way. -
Bgive an accurate account Remaining source text redacted.
Why choice B is not credited
Incorrect. The quote was about a piece by Beethoven. If the Author had wanted an accurate account of the music of Schoenberg, she could have picked a quote about Schoenberg! The second paragraph compares Schoenberg and Beethoven, so the quote must be meant to play into that comparison in some way. -
Csuggest that even Beethoven Remaining source text redacted.
Why choice C is not credited
Incorrect. (Lines 14-15) The Author doesn't argue that either composer composed works of uneven quality. The Author's argument is that people had negative reactions to great works! -
Dsuggest that music that Remaining source text redacted.
Why choice D matches the stem
Correct. Question Type:
Argument Structure
Strategy Overview:
Review the section asked about in context of both the surrounding area and the passage as a whole to define its role
Answer Anticipation/Relevant Lines:
This question is actually quite interesting and can tell us a lot about how RC passages can be structured, especially when relying on comparisons.
The Author brings up the quote at the beginning without telling us to whom it's referring. It states that some music was . . . not great, in the mind of the reviewer.
From this, it goes into a paragraph that highlights the sentiment behind it could apply to Schoenberg, but it actually applied to Beethoven (Lines 6-10). So the quote is used to segue into a similarity between Schoenberg and Beethoven—neither was understood or appreciated by everyone when they were composing music.
But why draw this comparison? The passage is largely silent as to Beethoven's style, while the majority of the rest of the passage describes the evolution of Schoenberg. What role does Beethoven serve here?
Well, Beethoven is some type of point of comparison. There's one point explicitly noted—both Beethoven and Schoenberg saw negative reactions to their music. What else do we learn about Beethoven? His music came to be appreciated later on (Lines 14-19).
So the only way it makes sense to include Beethoven and talk about how his initially disliked music ended up being appreciated is if it's designed to imply that Schoenberg's initially disliked music also came to be appreciated later on. Let's find an answer reflecting that.
Answer Explanation:
(Lines 15-19) Other than the reaction to Beethoven's music, the only thing the Author says about him is that he stood the test of time and his challenging works ended up becoming popular. The quote leads into a paragraph comparing Beethoven and Schoenberg. So the Author says that Beethoven and Schoenberg are similar, they both had pieces initially seen as alienating, and Beethoven's alienating works eventually became popular. It only makes sense to include that last information if the Author is arguing that Schoenberg's alienating works, too, came to be popular. This answer is therefore correct.
Key Takeaway:
If a passage states that two things are similar, then it's using that comparison to prove a point highlighting those similarities. When it goes on to describe a fact about one side of that comparison, it's likely doing so to imply that the other side of it will also have that characteristic. -
Esuggest that one critic Remaining source text redacted.
Why choice E is not credited
Incorrect. (Lines 11-12) The passage notes that Beethoven stirred controversy, which wouldn't be the case if this criticism were out of step with the general response to his work.
What this tests
Discussion
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Can someone explain B? 0 replies
Started by Jasmin1
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Can someone explain B? 0 replies
Started by Jasmin1
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Started by GabiKolb