PrepTest 121
Passage
Passage walkthrough
Topic: Humanities
Paragraph 1
- Paragraph note
- Background; 2 approaches
- Views, minor Meta-Structures, and the author's attitude
- Background - English tradition, only male poets
- Contemporary women poets - Rejected tradition as inadequate for women
- Bluck - Embraces it (“tradition of her language”)
Paragraph 2
- Paragraph note
- Gluck’s embrace of tradition
- Views, minor Meta-Structures, and the author's attitude
- Read poems with great themes - loss, time, desire
- Themes are universal, poems/tradition explore them
Paragraph 3
- Paragraph note
- Gluck’s critics
- Views, minor Meta-Structures, and the author's attitude
- Working in male-dominated tradition will lead to accepting assumptions
- Forms/tools can’t confront history
- Need to create uniquely female poetry - new forms/voice
Paragraph 4
- Paragraph note
- Gluck’s response to Critics
- Views, minor Meta-Structures, and the author's attitude
- Female perspective as limiting as critics view tradition
- Differences between genders emerge more naturally without conscious intent
- Themes are timeless; literature isn’t and reflects social/historical context
Main Point: While some critics maintain that the English poetic tradition’s domination by male voices requires women to develop their own forms and voice, Gluck focuses on writing about universal themes, believing that any differences between genders will come out naturally rather than consciously.
Key Lines?Lines 7-9 - Gluck’s influences
Lines 9-11 - Gluck’s view of herself
Lines 11-13 - View of critics
Line 14 - Gluck’s view
Lines 25-28 - Gluck’s views on universal themes
Lines 33-36 - Critics’ counterpoint
Lines 41-44 - Critics direction for poetry
Lines 45-48 - Gluck responds
Lines 48-51 - Gluck argues goal will be reached without conscious approach
Meta-Structure?Exploring a Debate - While passages that present two opposed viewpoints usually see the Author resolve it, either by taking sides or bringing the two viewpoints together, in this case, he doesn’t have any moments where he clearly sides with one viewpoint over the other! This is previewed in Lines 11-14, where the two sides of the debate are highlighted without editorializing, and then it’s explored in the back-and-forth nature of the passage, with Gluck presenting her viewpoint in Paragraph 2, the Critics responding in Paragraph 3, and Gluck responding to the Critics in Paragraph 4. While the Author doesn’t overtly take sides, the focus is clearly on Gluck here, with more space and the last word/rebuttal being given to her. When in an Exploring a Debate passage, the two sides make up the main point, with a focus on whichever viewpoint the Author focuses on (if there is a focus). Here, that means the main point reflects both the view of the Critics and Gluck, with a focus on Gluck, as we summarized above.
Last Thoughts?This passage is interesting in how the viewpoints all interact with one another. The Author is largely passive, presenting the “debate” between Gluck and her critics. Gluck shows up presenting her own view in Paragraph 1, and the Author mentions the view of the critics. Paragraphs 2 and 4 are both on Gluck’s views, which, combined with her viewpoint in Paragraph 1, will make it hard to find information about what she believes without more specific notes covering content (e.g., Theme for Paragraph 2). Paragraph 3 interjects between the Gluck paragraphs with the view of the Critics. Let’s try to keep the viewpoints and, for Gluck, content of each section clear in our head and in our notes!
Question prompt
Why the credited answer is right
Credited answer: E
The notes below walk through why it fits the stem and how to eliminate the rest.
Question Type
Strategy Overview
Answer Anticipation
Answer choices
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AThis tradition is somewhat Remaining source text redacted.
Why choice A is not credited
(A) (Lines 11-14) This answer is a weaker version of the argument made by Gluck’s critics, and it doesn’t reflect Gluck’s unqualified “respect and admiration” for this poetic tradition.
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BThis tradition transcends its Remaining source text redacted.
Why choice B is not credited
(B) (Lines 56-59) This answer does sound positive towards the tradition, but checking our notes shows us that she discusses social and historical context in Paragraph 4. There, she says that universal themes transcend context, but literature “inevitably” speaks of its context, so the poetic tradition can’t transcend it.
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CThe male–dominated aspect of Remaining source text redacted.
Why choice C is not credited
(C) (Lines 41-44; Lines 45-48) This answer reflects the argument made by Gluck’s critics - she believes that developing a uniquely female voice would be as limiting as the critics believe the tradition to be.
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DThe view of this Remaining source text redacted.
Why choice D is not credited
(D) (Lines 9-11) Gluck believes that she is a member of this poetic tradition, but she never says that embracing it is “necessary” to success, so this answer is too strong.
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EThis tradition, though male Remaining source text redacted.
Why choice E matches the stem
(E) (Lines 17-20; Lines 1-7) This answer is positive towards the tradition and reflects what we know about the passage - Gluck’s viewpoint focuses on universal themes, stating that she “could sense many” of them in the poetry she grew up reading. Checking the intro, we can also see that Gluck would agree the tradition is male-dominated, as she highlights only male poets in her list of influences.
What this tests
Discussion
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Please help. Why not B? 2 replies
Started by lerondagates