Reading comp PrepTest 121 · Section 3 · Question 10
Passage
Passage walkthrough
Topic: Humanities
Paragraph 1
- Paragraph note
- Background; 2 approaches
- Views, minor Meta-Structures, and the author's attitude
- Background - English tradition, only male poets
- Contemporary women poets - Rejected tradition as inadequate for women
- Bluck - Embraces it (“tradition of her language”)
Paragraph 2
- Paragraph note
- Gluck’s embrace of tradition
- Views, minor Meta-Structures, and the author's attitude
- Read poems with great themes - loss, time, desire
- Themes are universal, poems/tradition explore them
Paragraph 3
- Paragraph note
- Gluck’s critics
- Views, minor Meta-Structures, and the author's attitude
- Working in male-dominated tradition will lead to accepting assumptions
- Forms/tools can’t confront history
- Need to create uniquely female poetry - new forms/voice
Paragraph 4
- Paragraph note
- Gluck’s response to Critics
- Views, minor Meta-Structures, and the author's attitude
- Female perspective as limiting as critics view tradition
- Differences between genders emerge more naturally without conscious intent
- Themes are timeless; literature isn’t and reflects social/historical context
Main Point: While some critics maintain that the English poetic tradition’s domination by male voices requires women to develop their own forms and voice, Gluck focuses on writing about universal themes, believing that any differences between genders will come out naturally rather than consciously.
Key Lines?Lines 7-9 - Gluck’s influences
Lines 9-11 - Gluck’s view of herself
Lines 11-13 - View of critics
Line 14 - Gluck’s view
Lines 25-28 - Gluck’s views on universal themes
Lines 33-36 - Critics’ counterpoint
Lines 41-44 - Critics direction for poetry
Lines 45-48 - Gluck responds
Lines 48-51 - Gluck argues goal will be reached without conscious approach
Meta-Structure?Exploring a Debate - While passages that present two opposed viewpoints usually see the Author resolve it, either by taking sides or bringing the two viewpoints together, in this case, he doesn’t have any moments where he clearly sides with one viewpoint over the other! This is previewed in Lines 11-14, where the two sides of the debate are highlighted without editorializing, and then it’s explored in the back-and-forth nature of the passage, with Gluck presenting her viewpoint in Paragraph 2, the Critics responding in Paragraph 3, and Gluck responding to the Critics in Paragraph 4. While the Author doesn’t overtly take sides, the focus is clearly on Gluck here, with more space and the last word/rebuttal being given to her. When in an Exploring a Debate passage, the two sides make up the main point, with a focus on whichever viewpoint the Author focuses on (if there is a focus). Here, that means the main point reflects both the view of the Critics and Gluck, with a focus on Gluck, as we summarized above.
Last Thoughts?This passage is interesting in how the viewpoints all interact with one another. The Author is largely passive, presenting the “debate” between Gluck and her critics. Gluck shows up presenting her own view in Paragraph 1, and the Author mentions the view of the critics. Paragraphs 2 and 4 are both on Gluck’s views, which, combined with her viewpoint in Paragraph 1, will make it hard to find information about what she believes without more specific notes covering content (e.g., Theme for Paragraph 2). Paragraph 3 interjects between the Gluck paragraphs with the view of the Critics. Let’s try to keep the viewpoints and, for Gluck, content of each section clear in our head and in our notes!
Question prompt
Why the credited answer is right
Credited answer: C
The notes below walk through why it fits the stem and how to eliminate the rest.
Question Type
Strategy Overview
Answer Anticipation
Answer choices
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AThe artist refuses to Remaining source text redacted.
Why choice A is not credited
(A) (Lines 48-50) Gluck does accept at least the possibility that there are some gender differences shaped by history, so she doesn’t refer to artists who “refuse[] to accept” certain presuppositions about gender - she just doesn’t believe that such presuppositions pervade the English tradition to the point where a woman can’t write effective poetry within it, as her critics argue.
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BThe artist uses the Remaining source text redacted.
Why choice B is not credited
(B) (Lines 48-53) While Gluck does believe in using the tools of the English poetic tradition, she doesn’t tie these tools to revealing gender differences, so this answer draws a connection that’s absent from the passage.
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CThe artist does not Remaining source text redacted.
Why choice C matches the stem
(C) (Lines 52-53) In Gluck’s view, the gender differences will emerge in the “differing ways that women and men” write poems, with them being “revealed with more authority” when such differences aren’t intentionally done. This answer reflects the exact language from the passage, so it’s correct.
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DThe artist comments on Remaining source text redacted.
Why choice D is not credited
(D) Gluck seems less interested in exploring gender issues than her critics, so this answer doesn’t line up with her overall viewpoint. The phrase “to the extent that there are some gender differences” when describing her view suggests that she views them as incidental and ancillary (to the universal themes she promotes).
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EThe artist embraces that Remaining source text redacted.
Why choice E is not credited
(E) Similar to (B), this answer reflects Gluck’s viewpoint, but the passage never connects this part of her view to the revelation of gender differences, so it’s also incorrect.
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Started by rpark